In the competitive world of electronic music production, Martin ‘Beltek’ Bijelić has hit the career fast-track his with his tech/house/prog audio hybrid. In 2007, with his freshman track ‘Copacabana’, Beltek pulled off his first musical coup. He engaged Pete Tong with the track to such an extent that it became the winner of his Fast Trax producer competition. From such promising beginnings, ...at hurricane pace, he has delivered one twisting imaginative floor-charger after another. For example if you don't know his #1 selling techno hit 'Back In The Race', his remix for Faithless's single 'Tweak Your Nipple' or 'Kenta' which he recorded on Tiesto's label, then you aren't from planet Earth for sure.

Up to date he has now recorded original songs for Toolroom, 1605, Cr2, Global Underground, PIAS, Ministry of Sound, Armada, Black Hole, Nettwerk and remixed artists like Faithless, Shakira, Gareth Emery and others.

As Greece’s foremost proponent of Electronic Dance Music, Christian Cambas is the country’s greatest dance music export. He studied and graduated from the prestigious Berklee College of Music, of which former alumni include Brian ‘BT’ Transeau, film score impresario Alan Silvestri & the legendary Quincy Jones.

In the beginning of his career he regularly DJ’ed alongside such luminaries as Carl Cox, John Digweed and Sasha and in 2005 he notably became the first Greek DJ to break into DJ Magazine’s Top 100 DJs poll, coming in at #88.

His debut cut ‘It Scares Me’ was released on John Digweed’s Bedrock imprint and he has gone on to record for some of the world’s most respected labels. As a remixer Christian has re-imagined massive club hits like Anarcrusan’s ‘In My Mind’ for Yoshitoshi Records, and others throughout the years. In addition to his production and remix career, he has been teaching a college-level Sound Engineering and Music Technology course.

In his hometown of Athens, he held a two year monthly residency at the legendary +SODA in Athens, and his touring schedule includes dates in North & South American Europe and Asia, with gig highlights including the San Francisco Love Parade and the WMC in Miami.

Moving on to new territory, Christian’s productions are now supported by a phalanx of scene-defining techno jocks, and he has signed tracks to labels such as UMEK’s 1605, Great Stuff, Toolroom, Rusted and others. His own imprint in partnership with Press & Play, Sabotage Records, focuses on uncompromising music and and is committed to delivering razor-sharp music that will shape the future.

Traditional course of a young man who grew in the eighties... Born in a small french provincial town, middle class music lovers family, big brother as teacher and dealer of good sounds, Arnaud (his real surname) will quickly combine a passion for the music with an immoderate taste for computers and music machines. Afterwards attempts of rock band quickly fallen through, strong of the traditional high-school pupil influences of the time (The Cure, Anne Clark, Depeche Mode...), the young man will succumb very quickly to the french touch success in the nineties. Fascinated by the "Homework" of Daft Punk or the "Pansoul" of Motorbass, then student in an art school, its under the name of Da Fresh that he will begin the first tentatives of solo composition. Determined and hard worker, he will produce quickly the titles which will launch him on the international electronic music scene : his first album "Supa Feeling" released in 2002 on the Lyon based label Weaked Records will receive excellent criticisms, the hit "Fuckin Track" will make the remainder... Then he will be divided between a full-time job of DJ, while keeping a real knowledge of producer and remixer. Oriented to originality and effectiveness : he always continues with a lot of tracks (Broken Dream, Spaghetti Groove, Tattoo, Age Of Love, Yesterday, Right On Time, Once Again...) and remixes for great labels (1605, Definitive, Toolroom, Armada, Funk Farm, Hot Fingers, BluFin, Moonbeam Digital...), and create his own label Freshin Records.

It is rare nowadays, in an increasingly cynical and competitive scene, for young and upcoming DJ's to get much recognition or opportunity to showcase their talents. In an industry where affiliation and endorsement from more established artists is key and where tastes and attention spans grow more fickle by the day it seems increasingly difficult for budding artists to break new ground. Rena Bak has overcome these preconceptions and transcended a heavily male dominated arena by sticking to a strict work ethic and a healthy and imaginative approach to her music. A relative newcomer to DJing but with a lengthy and enthusiastic exposure to electronic house music, she brings a fresh, innovative and contagious brew of energy to her performances! Concentrating on gigging around her native Greece, she has steadily built herself a loyal fan base and developed her technical and programming skills. Having paid her dues and worked her way up from a consistent, dependable warm-up DJ she has effortlessly made the transition to peak time performer and crowd pleaser. Adding another bow to her resume, 2011 has seen her make her first forays into the studio, working on a few original productions. While the term "electronic house music" is an apt description of her musical directions, Rena's sets can encompass everything from the deepest house to the funkiest, raunchiest techno-always blended and mixed with precision and soul!

Roy Rosenfeld (Born August 1st, 1987) is an Israeli electronic music producer, based in Jerusalem. He started producing electronic music at the end of 2008, and as of now, he creates in all house and techno genres such as Deep House, Tech House, Progressive, Electro, Minimal, etc.

After winning three prestigious remix competitions that were conducted by Cr2 Records, Kindergarten and by the top digital online stores, Roy has won massive publicity. While he was temporarily listed in the electro charts he gained the support of big DJs and producers from all over the world.

Other than his solo releases, he also made remixes for big names such as: Chris Lake, John Acquaviva, Lutzenkirchen, Miles Dyson, Lazy Rich, Tomcraft, Milton Jackson, Tube & Berger, Luigi Rocca, Amo & Navas and many others.

Roy chose to summarize his principles in a few sentences:

"These days there are plenty of genres and styles within the electronic scene, which cause our minds to be fixated / square and stuck into the "rules" of those music genres.

We can always pursue those styles and learn from them a lot, but always keep a warm place for our unique sound and style. We need to preserve and protect the uniqueness and specialties of each one of us. Do not let it run next to you. I believe this is the way to success."

As of Late 2010, Roy is promoting the Rusted Records label, alongside his partners Osho and Elad.

This fast spreading label hosts and represents some of the best techno and house scene artists, from all over the world, and is highly supported by the worlds best DJs.

Hailing from Italy's techno capital Napoli, Sasha Carassi gained major recognition in 2010 for his outstanding releases on not only his own imprints Globox and Phobiq but also on other prominent labels such as Drumcode,Harthouse,Sleaze, Respekt Recordings, 8 Sided Dice , Driving Forces.. . With numerous remixes and collaborations with artists such as Joseph Capriati ,Adam Jay, Brian Sanhaji, Spektre and Virgil Enzinger, he has also enjoyed major support from the likes of Adam Beyer, Slam, Fergie, Alex Bau,The Advent, and Alan Fitzpatrick. With no let-up in his busy schedule, 2011 looks set to be another huge year for Sasha Carassi. One of the few remaining dj's still using vinyl decks comnined with a laptop, his dj sets are likened to his production work. With powerful grooves and infectious techno sounds, expect to hear 'Big Room Techno' at its best.

Owner of the wellknown brand Globox Recordings,in 2009 Sasha founded with Rosa Cecconi, the ambitious Phobiq Recordings using an excellent team of international producers who share their love for music and for the detail.

“Spektre have been one of the most consistent and solid production outfits in recent memory and I, for one, have become a huge fan and supporter of their sound. Whether they are producing mad, peak time bombs, or setting dancefloors on fire with their awesome live sets, these guys are definitely ones to watch and a bright shining light for the shape and sound of techno to come!” - UMEK “If there was a checklist for success, Spektre would have crossed off everything by now. Played gigs all over Europe – done, produced lots of strong releases & remixes – done 10 so far this year to be precise, topped the Beatport sales chart – done, got support from all the big techno guys, Sven Vath, Dubfire, Stephen Bodzin & Laurent Garnier – done, won the respect of their peers – done” - Mixmag

“Spektre's productions consist of solid techno that really remembers the rave. Music that is cool but also fun and highly danceable. These guys are just going to get bigger” - James Zabiela

“The homegrown producers tipped to give Berlin’s techno crowd a run for their money” - DJ Mag

Tom Hades started to discover and experiment with electronic music when listening to DAF, Kraftwerk, Front 242 ... At the age of 15 he bought his first keyboard, the famous Casio CZ-101 and transformed his game-computer, Amiga 500, into his first DAW. Quickly he got experienced with MIDI-integration and sampling functions, which gave him even more urge for buying/selling new material as addition to his current setup.

During the same period, his old school friend, RedHead, was co-producing with Marco Bailey. He got in contact with Marco too which led them in 2000 to their first co release. And this was the start of a big period of releases, included the anthem of "I Love Techno" in 2001. Have a look at the discography for the complete overview ... In the same year as I Love Techno Tom started to do live performances. He got more & more experienced and started to play all over the world.

His live performance was fully appreciated in countries like Spain, Colombia, Brazil, France, Poland, Sweden, Mexico, Japan, Austria, Italy, Norway, Ireland, ... and on many known festivals like Nature One, I Love Techno, City Parade, ... In the first period of 2002, Tom also produced his first solo release. In the next years he continued to produce tracks on his own as well as his co-production with Marco on respected labels like MB Elektronics, Drumcode, Bedrock, Tronic, Excentric Musik, 1605, Pornographic Recordings, Rhythm Convert(ed), Lupp, ... In 2004, they decided it was time to take the next step, start a label. And so Rhythm Convert was born. Initially, the purpose of the label was to give an opportunity to new talents to release their stuff. After a long break of releasing Tom restarted the label again in 2010. Many big artists already signed to the label so loads & loads to come in the future !!

Guys like Virgil Enzinger, Submerge, Alan Fitzpatrick, The Advent & Industrialyzer, Brian Sanhaji as well as Axel Karakasis, Spiros Kaloumenos, Veztax, ... did a very good job to show the people what is was all about. End 2004, Marco & Tom released their full album, Rude Boy, caused a stir all over the world. The best proof was their live performance during Nature One where they literally "blew the place to kingdom come"! In the year 2009 E=mc2 was released as a second album on MB Elektronics.

Recognized world widely by the big players in the scene the album surely proofed the quality of the release.

His current releases on labels like MB Elektronics, Rhythm Convert(ed), Bedrock and Drumcode are oriented in the same way his musical taste changes: intelligenter way of drum programming with flavors of techno, minimal and tekhouse. Nowadays, Tom can be booked as a dj or a live-set performance. You can expect dj-sets with dedication and filled with energy, as known from his live-sets, to give his fans the pleasure of clubbing !

In the means of productions, future releases will certainly be done, so keep your eyes open on some new productions, because Tom will certainly surprise lots of people!!!